The observer that witnesses the body of ‘the other’ in a linear timeline commits a catastrophic failure of perceiving the actual existence of the body into a manipulative image.

 

Slicing Dust 1 and 2 experiments with how the narrative point of view has an effect on the cognition of time.

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Slicing Dust 2 imagines a place that repeatedly demolishes due to a navigator that intentionally points to a wrong direction.